Tag Archives: 20th Century Fox

Jim Gordon Isn’t The Hero Gotham Needs, Just The Idiot It Deserves (Ouch!)

Gotham promo posterOkay, first, that’s not my headline but it is an awesome use of Gordon’s own line from The Dark Knight. Second, yes, Gotham is getting slightly worse but no worse than it started to get just before the Holiday break.

Sure, the show is called Gotham and takes place in the DC Comics fictional city of the same name that serves as the home base to The Batman: The Dark Knight, The Caped Crusader, The World’s Greatest Detective, you get the idea… But aha! The show opens with the single most defining moment in DC Comics history… the murders of Thomas and Martha Wayne.  So we have our starting point, the “birth” of The Batman or at the very least, the creation of the sense of justice and vengeance that would inspire a young Bruce Wayne to later assume the mantle of The Bat.

Starting point… not story.  And that is where Gotham has failed.

The story that should have spawned from that event was not the grooming of Bruce Wayne towards his ultimate fate but the grooming of James Gordon, golden boy detective, towards his.  Under this thought process, Bruce Wayne is an afterthought, a peripheral character who has other things to do than be continuously portrayed as a whiney-bitch Luke Skywalker type… looking off into the future and crying cause shit isn’t right. His parents were just murdered, I’ll just accept that he’s off sulking somewhere, tears in his eyes, wanting vengeance. Gordon is and should be more solidly portrayed as the main character.  Being the lead detective for the Wayne Murder Case will eternally link him to Bruce and the main theme of the show… the ground work for The Batman.  But the ground work is lain, Gordon is the lead detective in a case that was cold before the bodies were buried and Bruce Wayne will be Batmandone!

The Bat-Man

What should we be doing?  Seeing why Jim Gordon is Jim Gordon.  Commissioner Gordon wasn’t created by the circumstances of the GCPD, he was born to deal with those circumstances.  Yes, he is the ‘one good cop’ in a city of bad ones.  Yes, he does take it upon himself to set the tone for what Gotham’s Police Department should be. That’s always been his burden.  It’s why Batman aligns himself with the then Lieutenant, Captain and later Commissioner.

Do we need to see ALL of the Batman villains big and small making appearances?  No.  In some cases, it makes less sense to the origins as a lot of these people will end up being 15 years older than the Batman once he arrives on the scene (see: Harvey Dent). Can we see drips and drabs of these villains, absolutely.  This show could be filled with more Easter Eggs than the annual Egg hunt on the White House lawn… and that’s where the fun lies.

Bruce Wayne and his faithful protector (as well as best character on the whole damn show to this point), Alfred, could make appearances several times a season, not every episode.  Perhaps a two-parter each season could take place in flash-back, opening with The Batman and Commissioner Gordon going over a case that has roots in Gordon’s early days just to satisfy the unquenchable need for a “Batman” story in Gotham. The Penguin and the mafia serve as great Gordon fodder at this point, the ongoing war he fights in the background of everyday crimes until help arrives in the form of a Bat and then the war escalates in response.

Batman will always be Gotham City’s greatest hero, but Gotham is about its greatest unsung warrior.

From Rob Bricken @ io9:

Gotham is getting worse. I don’t mean the city; even though it has increased its Noble Cop quotient by +1 with Jim Gordon’s arrival, it seems to be just as messed up as it was before he arrived. No, I mean the show, and the most obvious example is the way Gordon is somehow turning dumber every episode.

Since the premiere, Jim Gordon has been a good person and a good cop. By trying to do what was right he was nearly murdered a few times, ordered to murder other people, and even busted down to insane asylum security officer for an afternoon. When he came back last episode, he appeared to have lost some of his nobility — he was more willing to bend the rules on behalf of the greater good. I thought the show might be showing us The Early Temptation of Gordon, in which he would realize if he had any desire of fixing Gotham City, he’d have to hold himself to the same standard.

Then comes along last night’s episode, “Welcome Back, Jim Gordon,” in which it’s revealed that Gordon may just be a moron. When a witness gets murdered right inside the precinct — stabbed in the back with an ice pick — of course Gordon is the only cop in the entire city the size of New York that feels like this needs to be investigated. Of course the chief and Bullock tell him to stop, and of course he doesn’t (and Bullock helps him anyways). And also of course, Gordon is stymied by the bafflingly huge amount of corruption in the GCPD, which not only allows its narcotics cops to operate their own drug warehouses but has an elaborate system in place designed to keep Gordon from busting them.

There are only two things that set this Gordon plot apart from Gotham‘s other episodes. 1) Gordon busts a cop named Delaware for being on guard duty when the witness was murdered (when do narcotics detectives have to watch the interrogation rooms?) and for having drugs in his car; the hilariously, obviously corrupt narc Flass says he was only staging an undercover operation. It’s a lie, but it could technically be true, and it points out how little circumstantial evidence “detective” Gordon busted Delaware on. 2) When Gordon can’t get anywhere, he calls up his old buddy the Penguin to see if he can find anything on Flass, seeing as Maroni runs the drug trade and Penguin and Maroni are tight. One of Penguin’s goons basically tortures Delaware’s wife until he offers a confession and shows them the ice pick Flass used to stab the witness with.

Is it part of Gordon’s fall from grace that he makes a deal with the devil to catch a crooked cop, or is it just stupidity? I’ll give it the benefit of the doubt. But Gordon’s naïve belief that somehow engaging criminals to do his job for him would have no negative consequences — even though he very specifically asked Penguin not to hurt anybody — is absolute imbecility. At the end of the episode, Delaware crawls up to Gordon and begs him not to have thugs hurt his family anymore, and you can practically hear the sad trombone noise as it dawns on Gordon that hey, maybe criminals can’t be trusted.

*Maybe it’s desperation. Gordon, seeing that he’s a man alone on an island, needs to take more drastic measures (just as Bullock did using Fish) and those measures are what ultimately leads Gordon back along the path to solidify the thought that only he can be the one to change things… he and those trusted allies he has yet to find.*

Luckily, the mob side of the equation picks up this week, although maybe it picks up too fast. Fish Mooney is tortured briefly by one of Falcone’s guys, and it’s the right sort of ridiculous. Fish’s hyper-nonchalance at being suffocated is absurd, but it works for her absurd character, and it’s a fun scene to watch Jada Pinkett Smith chew. Meanwhile, her second-in-command escapes from his captors, finds Fish, frees her, and they prepare to leave Gotham — after, of course, Fish pays Penguin a visit.

The Penguin has taken his mom to “his” new nightclub. His mom gets wasted and embarrasses him, Gordon stops by to ask for his favor, and at the end of the night, Cobblepot gets super-drunk and Gotham turns into a mini-Fear and Loathing in Gotham montage for no fucking reason. It’s not cool, it’s not good, it’s not even bad, it’s just… weird? Senseless? Inexplicable? Anyways, it’s at the tail end of this when Fish shows up, and we get a confrontation I was surprised to realize how much I’d been looking forward to. The Penguin starts by obsequiously kissing her feet, and begging to be spared. When this doesn’t work, and Fish starts berating him for being a mere umbrella holder, Oswald finally snaps. “This umbrella holder outwitted you every step of the way!” he shouts, and even Fish is stunned by how true it is. This is Gotham at its most effective, and the scene makes the episode. Then Zsasz and his gun molls pop in and chase Fish and her goon away. Butch sacrifices himself so Fish can escape, and I’m pretty sure we’re still supposed to care about his character for some reason; instead, I’m only excited to see what Zsasz does with him, since he takes him prisoner instead of killing him.

Gotham rogues gallery

In other news: Barbara isn’t in this episode — I assume she’s watching QVC on a couch somewhere, because she can’t find the remote and is too lazy to go look for it — but Bruce Wayne is back! He’s taken to forcing Alfred to drive around the poor parts of Gotham looking for Cat so he can give her a gift he bought her in Switzerland! He passes a message to her through Ivy, and she stops by Stately Wayne Manor to discover… it’s a big honking snow globe! (I assume Bruce purchased it at the Gifts That Are Supposed To Seem Really Thoughtful In TV Shows And Movies When The Writers Can’t Be Bothered To Think Of A Genuinely Thoughtful Gift store. It is literally stocked with nothing but snowglobes.) Cat loves it, but then she flips and is mean to Bruce and tells him they’re not friends and leaves and Bruce cries for a while until Alfred comes in and literally makes fun of him for crying. Your young Batman, everyone!

*Again… a periphery character at best. Same with Catwoman and Poison Ivy*

I mentioned this yesterday when I reported that Gotham had turned the Dollmaker’s real name into “Dr. Francis Dalmacher”, but there’s a fine line between fun and silly and campy and just stupid, and Gotham crosses it way too often. Maybe the most egregious example is when the GCPD Internal Affairs department rules the witness’ death — remember, he was stabbed in the back multiples times with a giant ice pick — a suicide. I know the GCPD is supposed to be corrupt, but that’s a disbelief-shattering level of absurdity that is too astonishing to comprehend, even in a show about a kid who eventually starts dressing as a bat and fighting crime. I mean, that’s as dumb as anything found in the reviled Batman & Robin movie (with the possible exception of the Bat-credit card). If the GCPD is so corrupt as to be completely unaccountable to the laws of reality, what the fuck is Gordon supposed to do? What the hell could Batman do here, other than just shut the police force down entirely?

*Or perhaps its just to show how disgustingly blatant the GCPD is in being crooked?  They’re the cops, who will you turn to when the people you’re supposed to turn to in need turn against you? I think the total absurdity of the idea this man’s murder is deemed a suicide is more a middle-finger to society in Gotham than just a writing flaw.*

And when the Gordon story falls apart, all that’s left to Gotham is watching the origins of all these beloved Batman characters. Unfortunately, with the exception of the Penguin, Gotham still has no idea how to make those stories interesting either: The Riddler isn’t doing anything but harassing a female co-worker, Catwoman only shows up when Bruce Wayne is on-screen, Poison Ivy isn’t even carrying a goddamn plant anymore, and the upcoming Dollmaker is apparently named Dalmacher because the show isn’t even trying to make its future Bat-villains compelling anymore.

*Too much going on and too much trying to please the vast Bat-Universe.*

The irony here is that it would be so easy for Gotham to be fascinating. Seeing young Bruce actually start on his path to becoming Batman would be awesome, as would watching Selina on her first heists. Giving the Riddler any kind of characteristic other than spouting riddles and being creepily obsessed with a co-worker would be great — anything that would hint at why he’ll eventually become the Riddler. Having Harvey Dent… uh… show up again to do anything, that would be nice. Look, you’re doing it right with the Penguin! You clearly have the ability! And then Gotham could finally start living up to the massive amount of potential everybody keeps saying it has.

Assorted Musings:

• As it turns out, Alfred hates children, poor people and very possibly women. His utter disdain when Gotham Alfredhe catches Bruce crying over Cat is insane. It’s like Frank Miller guest-wrote it.

*Again, the best character to this point in the show, fantastically portrayed by the Third Doctor’s son.*

• I also liked how Oswald seems to genuinely regard Gordon as a friend. It’s a strange relationship, but seeing that Gordon is the main character and the Penguin is the most interesting character, I feel like they ought to be sharing way more scenes.

*They should indeed as Gordon saved Oswald’s life, just for him to rise to power against him.*

• Zsasz’s refusal to run after his targets has a very Pepe le Pew.esque quality to it.

• Um, Bruce was seemingly pretty well-adjusted until Cat told him off and Alfred mocked his pain. I feel like Gotham may be retconning Bruce’s origin so that his parents’ murder doesn’t drive him to become Batman, a girl telling him she doesn’t like him does. It certainly seems to be what’s happening to Riddler.

*Periphery…. at best.*

Assorted Stupidity:

Sorry, there were a couple of other things in this episode that bugged me so much I had to list them even though I didn’t put them in the recap proper.

• When the witness is murdered, Gordon assumes a cop is involved (someone had to turn off the camera in the room and so forth) but the Chief warns him that he just got reinstated. If he “even hints” that a cop may be involved, his co-workers will revolt and he could get busted back to Arkham. So Gordon’s first act? Start accusing and interrogating cops randomly. Sigh.

*Sigh nothing… he won’t take directives to cover the corruption that is so blatant.  It’s why Jim Gordon becomes Commissioner James Gordon.*

• When Zsasz and his molls are in a shoot-out with Butch, Butch drops one of the girls. Zsasz and the other two stop shooting simultaneously, and look down at the girl’s dead body as if they’re all shocked that someone could possibly die in a gunfight. Also, Butch for some reason doesn’t shoot at them at while they have their time-out. It’s dumb.

• At the end of the episode, Gordon starts to arrest Flass, and of course all the other cops — who, it should be remembered, unanimously abandoned Gordon to get murdered when Zsasz popped by the police station a few weeks ago — of course don’t even move. So Gordon gives a big inspirational speech about how hey, maybe if you guys are corrupt assholes letting people get murdered in your own fucking building is a step too far, and the Chief actually steps up and arrests Flass.

• Do you realize how stupid this is? This is the chief. Sarah Essen is in charge of the police. All the police. She can effect change, so, if she’s no longer on board the helplessly corrupt train, she can actually clean up the GCPD faster and better than Gordon ever could. This obviously can’t happen, so the show is going to have to backtrack from this moment pretty much immediately.

*It will backtrack. Gordon will be guilt ridden over his request of the Penguin for help, reveal that the evidence against Flass was illegally obtained, spring Flass and everyone will chalk it up to just another corrupt cop walking free on the GCPD, giving Gordon the desire to make amends.*

• What’s even more annoying about the scene is how Gordon literally has to give a 5-minute Friday Night Lights speech in order to arrest a cop who literally confesses to murder in front of dozens of witnesses who are police officers. Gotham wans to portray this as some kind of heroic moment for Essen, where she finally steps up and does the right thing when it is almost the bare minimum of what she should be doing as a police officer. Gordon should be infuriated that she had to think about it before acting, not moved. Grr.

*Gordon is changing the mindset of a department so corrupt it allows murder in its own police houses… in a city so dark, dank and corrupt it requires a man to don a cape & cowl and dedicate his life to the cleaning up of those City streets and return it to a civilized world.  Duh!*

With that out of the way, I have often said that people who don’t understand comics shouldn’t be too judgmental of them in other mediums.  75 years of cannon is hard to squish together over an entire series, never mind a season of television, but many simply expect it.

If great is the norm… Desk Set (1957)

Desk SetTracy and Hepburn certainly hit it again. Not that these two ever made a bad movie together anyway.

Not as involved as ‘Adams Rib’ or ‘Woman of the Year’, it simply plays out, a light hearted yarn where we get to watch them play along with a great turn by Joan Blondell.
Employee partyA great Saturday afternoon comedy.

4 Stars

Bam * Pow * Zap… Batman: The Movie (1966)

Batman 1966Because the show just wasn’t enough! But the good thing is, the film culled together all the good aspects of the campy hit show and improved on the formula. West and Ward were given just the same range as always and the villains were allowed to work off each other to keep the laughs coming.

Sure, the story ran a bit thin and the gags a little long, but hey, look what we’re talking about. If you’re a Batman fan, this is the film that changed the course of the comic from goofy fifties to just swingin’ sixties. The effect would be felt for some time in the comics, but would result, twenty years later, in groundbreaking stories and comics achievements.

Cave Duo

Put to the big screen, this is a saturday afternoon around the house popcorn movie.

4 Stars

The Best of either Trilogy… Star Wars: Episode V – The Empire Strikes Back (1980)

Empire Strikes BackNot as historic or groundbreaking as the original, this film easily represents the ‘Godfather part II’ of science fiction sequels. There is up and down, black and white with ebb and flow in film… and ‘Empire..’ hits them all, in order and without dragging it’s feet. Maybe because we know a majority of the story already, maybe because it just unfolds and unfolds and then BAM! carbonite. Scoundrels are lovers, dead men are ghosts, Jedi Masters can be two foot nuthin’ and Darth Vader is still the biggest intergalactic bastard around (and not much fun to work for).

Vader Chamber

‘Empire..’ represents the old-school swashbuckling epic that Lucas had envisioned, the episodic Saturday morning matinée you’d show up thirteen weeks in a row to see. To find a film even close you’d need to rent one of Errol Flynn’s early Warner Bros. works, and none of them had an eight foot Wookie. Far from a simple transition sequel, ‘Empire..’ stands above any other film in the six part series, and contains all the spirit, action, emotion and oomph that the prequels fought to give.I know

Reaching film epic. Bring the popcorn, some Snow Caps and NO breaks!

5 Stars

The end of the Saga… or is it? Star Wars: Episode VI – Return of the Jedi (1983)

Return of the JediOK, for those who care in the Star Wars universe, we know that there are 3 episodes left in the series… but even if we never see it, this was a fitting end. Sure, with the pre-quels in place, everything seems to fit just that much better, and make a little bit more sense of the smallest details.

Yes the updated or ‘Special Edition’ supplied a better ending and gave us a new ‘ghost’ version of Anakin, but either way, the Ewoks are still fuzzy and will never be as annoying as Jar-Jar Binks. Maybe the final battle could have been worked a bit better in special effects evolution, more Episode III than Adventures of Robin Hood, but it still works. And it still leaves us to wonder, just what happens next.
Jabba's PalaceVery close to epic, but the Ewoks just don’t carry us there. Bring them some popcorn, though, and no bathroom breaks.

4 Stars

Star Wars goes to Hell… Star Wars: Episode III – Revenge of the Sith (2005)

Star Wars Episode 3It not only went to Hell, it went with gusto! The story was more original than what we had seen in the prequels, and it was long-awaited. Destruction has always ben easier than creation, and it was a great ride to see the cosmos crash and burn.

Complaint; Anakin took all of 10 seconds to turn into Darth Vader. Hmmm… not quite the emotional, gut-wrenching and tortured decision we thought it was going to be. I had expected more from the Chosen One who would become the scourge of the galaxy. Aside from that though, sure, there were some story gaps and a few things that maybe would’ve been worked in or out, but hey…. there are potentially three more films to go.
A Dark Knight RisesWith the loose ends not so much tied as lain out for the original trilogy, this one reached epic. No bathroom breaks.

4 Stars

Like Deja Vu all over again… Star Wars: Episode II – Attack of the Clones (2002)

Star Wars: Episode 2OK…. if Episode I was eerily like Episode IV, Episode II was certainly going to try and rip off ‘Empire..’.

Well, we got to meet the new Sith Lord, and Christopher Lee was already, easily, the Man… so this just made it better. Add a little Jackie Chan-esque Yoda action with a dash of the Fett-Man’s dad… mix with a few million clone troopers and big fat whiney bitch Jedi savior… sure, you got a movie.
Sith Lord Lee
Epic, no, not quite.  But, definitely a popcorn film, no breaks allowed.

3 Stars

Every Saga has a Beginning… Star Wars: Episode I – The Phantom Menace (1999)

Star Wars: Episode 1And the marketing began anew. The story seemed horribly close to ‘Episode IV’, and yes, many a person was pissed to find out, a month before the film was released, Qui Gon didn’t make it to a sequel (and twice as pissed about Darth Maul), but it was Lucas back in action and Star Wars was reborn.

It was all new, yet eerily familiar. All in all, it was still cool. The introduction of new characters and the first look at familiar characters who we knew had 30 years before the time of the Rebellion’s first great victory upon the Death Star.

Jedi vs SithYeah, we knew who was who, and what laid ahead, but it was interesting all the same, even if it missed epic by just that much.

4 Stars

Only once in a great while… Star Wars: Episode IV – A New Hope (1977)

Star WarsIt’s not often that a film is released and it literally changes society. Pop culture, modern film and cinema history took a hit when this film was released… yes even before the ‘Episode IV’ title was attached.

‘Star Wars’ wasn’t just another Sci-Fi film, it was the first time in a long time a filmmaker’s vision transferred to celuloid untouched by executive hands and actually worked. Sure, millions will say that it’s one of the greatest films ever… perhaps in Sci-Fi circles. It was, easily, one of the most influential. Not because it spawned a billion dollar industry for special FX, toys and marketing or five sequel films… but it led the way for all the films and filmmakers to follow in it’s footsteps.
Vader at workWas it greatly acted? It was OK. Was it greatly written? It was an original, paced story. But with it’s effects, score and direction, it all came together… and in the end, that is what great epic film is all about.

5 Stars

10 Movie Remakes That Are Better Than The Original

From: Yahoo! Movies

Last week, Sony Pictures and MGM released its remake of horror classic “Carrie” starring Chloe Moretz and Julianne Moore.

While it may not be better than the 1976 original — it’s tough to top the Oscar-nominated performances of Sissy Spacek and Piper Laurie — there are plenty of remakes that have improved upon the original.

We’ve weeded through a ton of remakes — including some you may not realize are remakes — to find the best ones.

The films on this list were selected according to audience and critical reception via Rotten Tomatoes and Metacritic (where available) along with awards won. If two films were equally matched in reviews, we went with the movie more fans are familiar with today.

From oldest to newest, here are 10 films that are better than its original.

“The Maltese Falcon” (1941) Warner Bros. Maltese Falcon

Remake of: “The Maltese Falcon” (1931) Rotten Tomatoes: 100% / 67%*

John Huston’s adaptation of the best seller starring Humphrey Bogart as private detective Sam Spade has been called one of the American Film Institute’s best films and has been nominated for three Oscars.

Even Roger Ebert called it one of the best movies ever made.

Maltese Falcon rogues gallery

The film was so successful, Warner Bros. originally wanted Huston to work on a sequel in ’42. That project was shelved since he and the actors went to work on other projects.

“The Ten Commandments” (1956)  Paramount PicturesTen Commandments

Remake of: “The Ten Commandments” (1923) Rotten Tomatoes: 91% / 83%

More than 30 years after making the silent film, Cecil B. DeMille returned to direct the ’56 classic. The movie won one Oscar for visual effects and airs every year around Easter on television (Definitely a fond childhood Holiday memory).

“The Ten Commandments” is among the highest-grossing films of all time when adjusted for inflation.

Heston as Moses

“Airplane!” (1980)   Paramount PicturesAirplane

Based on: “Zero Hour!” (1957) Rotten Tomatoes: 98% / 46%**

Chances are you’re unfamiliar with ’50s movie “Zero Hour!” But if it didn’t exist, there probably never would have been an “Airplane!”. Leslie Nielsen’s parody classic borrows heavily from the original.

Airplane Fever

Surely we must be joking? We’re not, and don’t call us Shirley.

“The Thing” (1982)  Universal PicturesJohn Carpenter's The Thing teaser

Remake of: “The Thing From Another World” (1951) Rotten Tomatoes:  79% / 87%

Time may have named the original the “Best sci-fi movie of the 1950s,” however, you can’t deny John Carpenter (the man who brought us “Halloween”) and ’80s Kurt Russell.

Total Film:  “The Thing is one of [Carpenter’s] greatest moments, creating a terrifying atmosphere of claustrophobia, suspense and paranoia. And Kurt Russell is as good as he’s ever been, wearing one of the best beards in movie history.”

Kurt Russell

Empire:  ” The Thing is a peerless masterpiece of relentless suspense, retina-wrecking visual excess and outright, nihilistic terror. …  Back in 1997 Carpenter told Empire that ‘You’ll never, ever, see anything like The Thing again.’ Like MacReady and Childs we’re still waiting. We might be for a long time yet.”

“Little Shop of Horrors” (1986)  Warner Bros.Little Shop of Horrors

Remake of: “The Little Shop of Horrors” (1960) Rotten Tomatoes: 90% / 92%  Metacritic:  81%

Sure, the original may have had Jack Nicholson in it, but that was in a small, small role. While the critical reception for the original may edge out the remake, Frank Oz’s rendition of the musical based off the original film with Steve Martin and James Belushi helped make it a cult classic.

The New York Times: “WHO could have imagined that ”Little Shop of Horrors,” the 1960 comic horror film shot by Roger Corman in two days’ time, would continue to grow bigger, mightier and more formidable, much like the man-eating plant that is its unsung star? …  Mr. Martin’s solo number has been hilariously staged, as he combines Elvis Presley posturing with a wonderfully wicked delivery of phrases like ”root canal.” Seldom has one single film sequence, in which Mr. Martin gleefully terrifies his patients and brandishes the most ghastly array of instruments, done as much to set back the integrity of an entire profession.”

Audrey II

“Fatal Attraction” (1987)  Paramount PicturesFatal Attraction

Remake of: British television movie “Diversion” Rotten Tomatoes:  78%  Metacritic: 67

Technically, we’re still going to count this one since it’s probably not well known that this was an adaptation of a TV movie.

Fun fact: “Diversion” writer and director James Dearden actually wrote the screenplay for the Hollywood film adaptation. The movie went on to become the highest-grossing film of the year worldwide and received six Oscar nominations including Best Picture, Best Actress, and Best Director.

Glenn Close Fatal

“True Lies” (1994) 20th Century FoxTrue Lies

Remake of: French film “La Totale!” (1991) Rotten Tomatoes:  72%  / n/a

We’ll admit, we’ve never seen the French film from Claude Zidi; however, you can’t beat a James Cameron film starring Arnold Schwarzenegger secretly working as a government agent while his wife (Jamie Curtis) believes he’s a computer salesman (also serves as a wonderful homage to the James Bond films).

The film received an Oscar nod for Best Visual Effects.  At the time, the film was one of the most expensive ever made (an estimated $115 million)

Curtis for Arnold

“Ocean’s Eleven” (2001)  Warner Bros.Ocean's Eleven

Remake of: “Ocean’s Eleven” (1960) Rotten Tomatoes:  82%/ 46%

The Rat Pack may have starred in the original, but it was George Clooney, Matt Damon, and Brad Pitt, who made robbing a Las Vegas casino look awesome while also infuriating Al Pacino (Note: Al Pacino was not in this film!  He was in Ocean’s Thirteen… tsk tsk Yahoo!).

Successful Eleven

Rolling Stone critic Peter Travers: “What is Oscar-winning director Steven Soderbergh doing remaking a 1960 Rat Pack flick best remembered for Frank Sinatra’s orange sweaters and Dean Martin being Dino? Answer: having a ball …  Forget Oscar, Ocean’s Eleven is the coolest damned thing around.”

“The Departed” (2006)  Warner Bros.The Departed

Remake of: “Infernal Affairs” (2002) Rotten Tomatoes: 92% / 95%  Metacritic: 86 / 75

Another phenomenal casting list comprised of Jack Nicholson, Matt Damon, Leonardo DiCaprio, Mark Wahlberg, Martin Sheen, Vera Farmiga, and Alec Baldwin  about an undercover cop (DiCaprio)  trying to discover a mole (Damon) in the Massachusetts State Police force (Shot in various locations in and around Boston, including my hometown of Southie).

The film won four Oscars including Best Picture of the Year and Best Director.

Leo Jack Departed

Roger Ebert gave the film four stars, highlighting the positives of both films, while not discrediting either.  “The story is inspired by “Infernal Affairs” (2002) by  Alan Mak  and  Andrew Lau , the most successful Hong Kong film of recent years. Indeed, having just re-read my 2004 review of that film, I find I could change the names, cut and paste it, and be discussing this film. But that would only involve the surface, the plot and a few philosophical quasi-profundities. What makes this a Scorsese film, and not merely a retread, is the director’s use of actors, locations and energy, and its buried theme.”

“True Grit” (2010)  Paramount PicturesTrue Grit

Remake of: “True Grit” (1969) Rotten Tomatoes:  96%  /  90%  Metacritc: 80

Though John Wayne made the original film a classic and earned an Oscar for his performance, the update from the Coen brothers starring Jeff Bridges as U.S. Marshal Rooster Cogburn along with Matt Damon and Josh Brolin was celebrated by critics and moviegoers not only for sticking closer to the source material, but also all of the actors’ performances.

However, despite 10 Oscar nominations — including Best Picture, Director, and Actor — it won none.

The Denver Post’s Lisa Kennedy: “This ‘True Grit’ makes the original almost unwatchable except as a curio …  In the new version, Portis’ novel is returned to its proper locale: the post-Civil War frontier where the James brothers raised such a nasty ruckus.”

Bridges True Grit

Ebert: “In the Coen Brothers’ “True Grit,” Jeff Bridges is not playing the John Wayne  role. He’s playing the Jeff Bridges role — or, more properly, the role created in the enduring novel by Charles Portis , much of whose original dialogue can be heard in this film. Bridges doesn’t have the archetypal stature of the Duke. Few ever have. But he has here, I believe, an equal screen presence. We always knew we were looking at John Wayne in the original “ True Grit” (1969). When we see Rooster Cogburn in this version, we’re not thinking about Jeff Bridges. … Bridges’ interpretation is no doubt closer to the reality of a lawman in those years of the West.”

*Denotes critical reviews for the remake and original, respectively when applicable. **Audience score