And no matter what anyone tells you, that is the cold hard fact of this film. As the second to last place setting for next summer’s ‘Avengers’ superhero team-up flick, ‘Thor’ does nicely.
Much in the style of ‘Captain America: The First Avenger’ (Damn, I hate that sub-title), the story touches greatly upon the mythos of the title character (obviously more deeply based in Norse mythology) and updates it accordingly. Luckily in this case, for all the simplicity in the story development and character set-up, Kenneth Branagh was at the helm and worked the proper amount of development into both the story and the primary characters.
The script, obviously having a major mythic back-story to draw from, mixing it with the established comic lore and then adding the S.H.I.E.L.D. element and place setting actually moves fairly well. Yes, there are a few slower parts, but this is Norse mythology directed by Kenneth Branagh and it ain’t all gonna’ be on rocket propelled roller-skates. However, this is a Marvel comic book film directed by Kenneth Branagh and you can’t really go wrong. With cast members such as Anthony Hopkins and Natalie Portman you expect a good turn and you certainly get it. A few of the characters are a bit cardboard but the actors do well to keep them believable. Chris Hemsworth fits quite well behind the hammer, playing both sides of the egotistical God of Thunder as well as anyone could play an egotistical God of Thunder. If there was one complaint, much like a Skywalker turned Vader in Episode III, the turn from one side to the other as Thor makes his heroic choice was a bit rushed. Obviously, the clock was ticking and the story needed to move into Act III, but… As a place setting for the forthcoming ‘Avengers’ (and if you saw the post end credits teaser scene, a great unknown lead in for Captain America) this film performs and does so far better than Iron Man 2 (whose exit teaser was a place setting for this film). As a stand alone film about Marvel’s Thunder God, it exceeds expectations.
Not quite Comic Book epic, but definitely taking you for the ride. Bring popcorn and no bathroom breaks.
To me, this film seemed to have even less to do with the original Iron Man (and the best film of the ‘trilogy’) than Iron Man 2 which barely achieved place mat status. It certainly didn’t do anything to advance the saga of Tony Stark nor did it add a sense of closure or continuity to the recent Avengers storyline. It did however do much more in destroying Pepper Potts as a credible character.
As most Shane Black movies go, it involved Christmas… no wait, that’s not fair. It involved things that get shot and blow-up at Christmas. Making a useless involvement of AIM, the Hydra-esque secret agency which could have been easily folded into the ongoing Marvel film or Television universe, the plot just sank. If the point of the movie was that Stark can survive through his wits, sarcasm and ingenuity, well we established that in the first movie, it’s why he’s Iron Man. Since there are no plans to extend Iron Man into Phase Two or Phase Three in his own solo adventure, let’s hope his involvement in the expanding Avengers universe fares far better than this. Definitely a wasted effort for the reliable Downey Jr. in follow-up to the masterful first Avengers film but a total fail for the awesome effort of Sir Ben Kingsley who stole a portion of the film (I can only hope he will return to the Marvel Universe in a future film).
Good, cause you just watched the extended version of it. When Tony Stark defeated his formerly trusted ally in the ‘Iron Monger’ armor, I’m fairly certain the next thing he said wasn’t “Boy, I hope I get to fight a whole lot more of those…”.
So let’s see, an arms dealer jealous of Tony Stark, check. A terrorist who covets Tony Starks’ toys and makes a devious deal with the jealous arms-maker, check. Iron-Man fights another Iron-Man type, check. Throw in the ever shag-able Scarlett Johansson as the Black Widow and we have a movie.
Now, this movie does very little to set itself apart as an installment in a series other than serve as a place setting for the forthcoming ‘Thor’, ‘Captain America’ and a reminder we still have ‘The Avengers’ to look forward to. As a comic book movie, it still makes an OK Saturday matinée popcorn flick and is better than such sequels as ‘Spider-Man 3’ and ‘X-3’.